Rob: Why did music cause these newly-revealed Cylons to discover they were indeed Cylons. Sharon didn't hear music when she figured it out in season one.
Ron Moore: It's more that they arrived at a certain point in space and they were made aware of who they are. The music manifests a dawning awareness. These are four of the final five, which puts them in a separate category from everybody else. There are reasons for that I can't really get into. We'll be playing out those plot lines for quite a while.
R: So Tigh and the others were put into the Colonial fleet as adults?
RM: I don't know if it's that simple. I think it's something that goes back pretty far. A lot of the specifics of the back story of how this came about will reveal itself over the course of the next season. Those four are trying to figure out their own story. They don't really understand what this all means. Tigh's been in two wars and wondering, how could this be? A part of next season's storylines will uncover how they came to be who they are and the specifics of that.
R: Why did Roslin have a mental connection to Sharon and Six and not the other Cylons on board?
RM: They are fundamentally different Cylons.
R: When did you decide to make these four characters Cylons and how much did you have to go back and check to make sure that fit with things we already knew about these four characters?
RM: It was something I came up with this season as I worked toward the finale. The conceptual framework in which these guys are Cylons, it all sort of works once we laid down their individual back stories.
R: Are these four all full Cylons?
RM: Yes, but they are different fundamentally.
R:Is Katee Sackhoff, who plays Starbuck, signed for next season?
R: Where do the plans stand for a direct-to-DVD movie that flashes back to tell more of the story of the Pegasus and Admiral Cain (Michelle Forbes)?
RM: It's really just a couple of extra episodes for the fourth season that will air earlier than the rest of the season, sometime in the fall. They'll come out on DVD the next day.
R: Which cast members are in these two, one-hour extra episodes?
RM: The whole cast.
R: Why flashbacks?
RM: There is a tie from these episodes into the events in season four. ... It's an opportunity to set up something for the fourth season that had not been told to the audience and that the characters themselves hadn't realized, and then go into the fourth season.
R: Where does "Caprica" stand? Sci Fi Channel was supposed to make a decision about it this month.
RM: It's now back in development. They're not picking it up as a pilot at the moment. They might want to pick it up as a movie or as a DVD release. No one is saying it's over, but we're also not going forward at this moment. Right now it's on the back burner. (Sidenote: I was happy to read this because while I thought it could work as a two hour movie, I didn't find the subject matter interesting enough to sustain a series.
R: Why give Roslin (Mary McDonnell) cancer again?
RM: Even at the time when the cancer went away, I think I made statements to the press that it can always return. I've always seen it as a key part of her character and who she is. Mary and I had extensive conversations about it. Roslin was defined by that. The first moment we meet her, she gets the cancer diagnosis. But in the course of the first two seasons it became clear we couldn't maintain her illness in the same way. Part of her character is the dying leader. It has a Moses quality, the dying leader who's fated not to make it all the way to the Promised Land.
We've moved very strongly into the show's third act of the series and the end is in front of us in some fashion, regardless of how long it takes us to get there. We're moving into the final chapters, and Laura's cancer should return as a signpost on the road that says, you're getting closer because the prophesy is coming true. The prophecy says, "a dying leader."
R: Will we ever see Galactica reach Earth? I'm nervous because of what happened on the original series when they reached Earth and the show became "Galactica 1980."
RM: We're dusting off the flying motorcycles, man. We have some great ideas for those babies.
I think the series has a built-in ending. The series is about the search for Earth and when the time comes, I fully expect we will resolve that one way or another. You get to Earth and what might you find? Is it really their home? You've been promising the audience that end point from the beginning, so you're duty-bound to go there when you end it.
R: So have you started to formulate an endgame? Last week, Sci Fi Channel announced season four will be 22 hours. Will that be it?
RM: We have to know at some point. We're scripting the beginning of season four. I know how many chapters are left in the series and it will come up in this fourth season kind of quickly where we'll have to decide whether this is the last season. The network has made it clear they will take their cues from us if we say we're ready to end the show. [Executive producer] David [Eick] and I have conversations about that and we're pretty close to a decision.
R: And you'll have to decide long before the show returns for the fourth season next year, right?
RM: The decision has nothing to do with next year's ratings. It's first and foremost a creative decision. ... I have two chapters left in my head and I can see those being of different lengths. ... The question of how many episodes is the best route to get there and deciding how much do we want to go out now and end strong and how much do we want to try to extend it because we all love it and go for another year. It's an emotional/creative conversation that David and I have almost daily as we muddle through it all.
R: So this won't be "Farscape" where the series ends on a cliffhanger?
RM: It's very important to me not to do that. It's something we've talked about all along. We want to go out on our own terms and decide when our story ends. We wouldn't want to be in a situation where the story is not completed in the way we want to.
R: So you're going to have to decide whether or not to end it in season four or ask for another batch of episodes in which to wrap the story up.
RM: I think we would probably not go to them [and ask for more episodes] unless we were pretty sure they would give them to us.
R: Will the decision to end the show have anything to do with you and David embarking on other projects? I know he has the "Bionic Woman" remake for NBC and you're writing a pilot for FX.
RM: Not really. It's a separate track. It's not like those things are pulling our focus so much that we have to kill 'Battlestar' to pursue them. We have so much invested on a personal level, on a creative level, and it's such a special show, I can't imagine any of the things we're working on we'd rather do. 'Galactica' comes first and everything else plays catch up, which makes for an interesting home life.
ETA: Maureen Ryan of the The Chicago Tribune has her review of 'Crossroads Pt 2' up. There's an interesting quote from Bear McCreaery regarding the musical selection and some interesting theorizing in the comments.